Kelley Polar – I Need You to Hold On While the Sky Is Falling: A cool and special place that is good for thinking

Before the beginning of this year, I had barely heard of Kelley Polar or his music. Toward the end of ’07, I ran across one of his songs and checked out his debut album, Love Songs of the Hanging Gardens. I was hooked in short order. Color me exultant when I learned a new album would be coming out just as I was really getting into Polar’s music.

And that anticipation and excitement probably affected my initial reactions to Kelley Polar’s follow up record, I Need You to Hold On while the Sky is Falling, released earlier this month. Whereas I’ve only just begun listening to Polar’s music and at the most basic level had merely been wanting more, he’s had nearly three years to grow and change as an artist.

I must admit that I’ve been listening to this record for several weeks now and it’s taken a little longer than Gardens did to grow on me. Yes, the peculiar combination of classical, spacey electronics, disco and catchy pop gratuity that made the first album so compelling is present. I Need You to Hold On while the Sky is Falling is a very good follow up record, but in its first few moments, it becomes clear that while it is largely the same, it is also different, closer and more intimate.

Love Songs of the Hanging Gardens struck me with its expansiveness, by how much room there seems to be between its sounds. Falling, for the most part, feels like its standing right next to you. It’s also much more vocal. Kelley Polar has said in interviews that he’s spent some time actually trying to sing on this one and for the most part it works, though there are a handful of moments where it could have been toned-down a notch.

Appropriately for an album premised on the sky falling, the music feels much more serious and less carefree than an album of interstellar love songs. Chrysanthemum is downright foreboding and grim, talking about people being killed in bed.

It’s not all dour though. Entropy Reigns (in the Celestial City) is the most straight-ahead pop in the entire repertoire, while Sea of Sine Waves continues that early-career Michael Jackson danceitude that hooked me the first time.

All in all, I Need You to Hold On while the Sky is Falling is a worthy and eminently listenable sophomore opus.

Chrysanthemum video:

eMusic interviews Kelley Polar and they discuss the numorous classical influences on Falling.

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