radiohead

March 28-29 – 120 songs played. 81 removed

i’ve done a fair amount of weeding over the past couple days and probably reduced the tunequest by a day as a result. some early pizzicato five (i like P5, but by her majesty’s request is unlistenable) and some aphrodite (my love affair with drum and bass has largely run its course) didn’t make the cut and were, well, cut. i also made the single largest removal to date: the emerson string quartet’s collection of shostakovich’s string quartets. nothing against the emersons or shostakovich, mind you, but string quartets, as a form of music, have always been a struggle for me to appreciate. i don’t doubt their musical worth, but i can’t get into string quartets. i’ve tried, but i guess i just prefer the power of the orchestra.

as it stands, i would not want to offend the spirit of shotsakovich, so i did especially listen to and enjoy his "waltz #2 from jazz suite" this evening. beautiful beautiful music that is.

forth tunequest:

  • peggy lee & george shearing [beauty and the beat!]
  • beth orton [central reservation]
  • london symphony performing elgar’s enigma variations
  • bjork [bachelorette]single
  • elbow [cast of thousands]
  • silver apples [contact]
  • the evil genius orchestra [cocktails in the cantina]
  • yoko kanno [cowboy bebop 2: no disc]
  • fila brazillia [brazillification]
  • delarosa and asora [agony part 1]

today’s tunequest is quite varied, from the glitch harmonics of scott herron’s delarosa project to peggy lee’s soothing siren song. the evil genius orchestra puts a humorous and swinging spin on everyone’s favorite star wars themes on cocktails in the cantina. personally, i think the the e.g.o.’s version of "princess leia’s theme" rivals the original. in fact, when putting together a list of mellow movie themes to be played as "mingle music" at my wedding reception i choose this version over john williams’. •

fila brazillia’s brazilification is an endurance test of downtempo remixing. it is a mix album, however it is more of a ‘best of’ collection of previously-released mixes, rather than a dj album, so i don’t think my earlier criticism applies. the record is a two disc set that starts off very strong, with excellent remixes of songs by radiohead, moloko, phosphorous, and u.n.k.l.e. but after the first half of the first album, the set begins to fatigue and the beats begin to muddle together.

that’s less a problem with the duo and more a factor of the downtempo genre. while individual tracks can be quite outstanding, over time the inherent form of downtempo puts it at disadvantage for long term active listening. it really is better suited to background music, turned on and tuned out while you work on other projects, only occasionally taking interest in choice musical passages. in that regard, the length of brazilification is its one drawback. still, fila brazillia are excellent at what they do and i can’t recommend this one enough. •

speaking of front-loading, let’s talk beth orton. i was familiar with beth before i got central reservation in 1999 through her collaberations with the chemical brothers. her voice always added an element of humanity to the brothers’ explosive beats. her own music brings her flavor to the forefront, unburied beneath layers of synthesized sound. simple arraingments and addictive melodies highlight her sophmore release. it’s too bad it’s all crammed in the first few songs. the record begins to sound monotonous throughout its second half, tempting me to just get rid of those songs. if it weren’t the strength of the rest of the album (‘sweetest decline’ in particular) i probably would, but i never know when one of those songs will suddenly click with me. •

and silver apples’ contact is quite interesting. i was prepared to dismiss it as yet another indulgence from my experimental youth, but it continues to pique my interest. •

bossa nova, batman and elbow

65 looks like an impressive number, but today it’s not. whereas the 66 songs from yesterday represent just over 5 hours of music, today’s 65 only amount to 3.5 hours. this is partially because the severed dreams soundtrack is only 33 minutes for its 22 songs, while mahler’s 6th from yesterday clocks in near 90 minutes but counts as only 4 songs. in any event, i did hear some worthwhile music.

  • fantastic plastic machine [beautiful]
  • elbow [alseep in the back]
  • elliot goldenthal [batman forever]
  • christopher franke [babylon 5: severed dreams]
  • ultralounge bossa novaville

Ah, the bossa nova…. it, and to a lesser extent samba, are among my favorite forms of music, so it’s surprising that i don’t have more of it in my collection. nevertheless, it should be no surprise that i’m highly enthralled by bossa novaville, no.14 in the ultralounge series. nineteen super-smooth and relaxing tracks that can’t help but take the edge off whatever’s on your mind.

of course, this is ultralounge we’re talking about, a product of capitol records. it’s designed, packaged and presented to appeal to boomers and retro-culture hipsters alike without being in the slightest way offensive. despite the marketing schtick, the music is quite effective and at the very least, acts as a launching pad for further explorations into the various genres it resurrects. les baxter alone almost justifies the series’ existence.

also in today’s roundup: a somewhat disappointing score for batman forever. beyond treatments and re-workings of danny elfman’s batman theme, nothing here really jumped out at me. about half the tracks got the boot.

and a quick note about elbow: the group is from the UK (manchester, specifically) and i’ve heard them referred to as equal parts radiohead and coldplay. which is sort of true, if radiohead wrote more ballad-type songs and didn’t enjoy rocking out as hard, you might get the mellow stylings of elbow. i guess that’s where the coldplay reference comes from, but elbow is not nearly as insufferable.