TENORI-ON, the Visual Music Composition Instrument

So……….. anyone got ~$1200 to send my way? Why, you ask?

This thing:

Tenori-On photo from Yamaha

TENORI-ON, the new seemingly brilliant and addictively fun musical composition device from Yamaha. TENORI-ON means “sound on your palm” in Japanese. That’s a pretty fitting description of how it works.

While pressing LED buttons on the 16 x 16 grid as the loop indicator scrolls, players can create tones and rhythms, with each layer of music having its own tempo. There are a total of sixteen layers of music and they can be thought of as traditional recording tracks. Any of TENORI-ON’s six modes can be assigned to a layer and all layers can operate concurrently. Those layers are grouped into blocks (which I think is one loop across the device’s face), and blocks can be copied, sequenced and edited for variations on a theme and extended pieces. Combining all those functions, one can create some really complex music.

TENORI-ON can read samples and manipulate outside sounds via SD card, giving it nearly limitless compositional capabilities. It is also MIDI-capable, for interfacing with a second TENORI-ON or outside machine, such as a computer.

The instrument has six modes:

  • Score Mode
    Press a button to play a sound once. Press-and-hold to play that sound on every loop.
  • Random Performance Mode
    Turns the instrument into Pong. Press buttons to have a ball ping between those buttons.
  • Draw Mode
    Make music by drawing lines and curves. Reminds me of playing a harp.
  • Bounce Mode
    Press a button and a ball bounces up from the bottom to the button that was pressed. Lower buttons have more rapid beats. Higher buttons are slower in tempo. I sense some seriously interesting polyrhythmic possibilities here.
  • Push Mode
    For sustained notes.
  • Solo Mode
    Also creates sustained notes, but only when you’re actively pressing the buttons.

Clearly a fascinating device. But really, all the words in the world won’t do it justice, so watch this demonstration video featuring Yu Nishibori, a producer/developer from Yamaha:As part of the device’s launch, Yamaha commissioned three noted electronic musicians to create songs using only on the TENORI-ON–Jim O’Rourke, Atom Heart and Robert Lippock of To Rococo Rot–and is giving them away as downloadable MP3s. O’Rourke turns in an ambient soundscape while Atom Heart seems to noodle with a malfunctioning sonar on a piece that would be a home on the Forbidden Planet soundtrack. Lippock, true to form, crafts a pretty nice piece of IDM. You can listen for yourself at Yamaha’s TENORI-ON site.

Here’s Jim O’Rourke learning how to use the instrument (he’s evidently fluent in Japanese; who knew?), followed by some O’Rourke-ian improvisation:

Jim learns the TENORI-ON
Jim O’rourke Plays the TENORI-ON

Needless to say, I want one. Unfortunately, TENORI-ON is currently only being sold in the UK as a test market–at £599–and apparently, the entire nation is out of stock at the moment. But hey, if you just have to have one now, I spotted a couple on eBay. Otherwise, there’s always the hope that more become available in time for the holiday shopping season.


tunequest week in review

for the week ending may 20, 2006.

stats: a superlative week here at tunequest. 394 songs played over 25 hours and 40 minutes. a further 5 songs were removed from the library for a net progress of 399, a new record. frankly, i'm surprised by the results. an afternoon braves game and a couple of extented meetings cut into my normal office listening time and i didn't really expect saturday's listening to be able to compensate. not that i'm complaining about it. i'm thrilled.

highlights for the week include sharing the chicago symphony's performance of mahler's no 6 with the neighborhood, revisiting some  grunge and post-grunge rock from nirvana's bleach and soundgarden's down on the upside, appreciating the smooth grooves of the well-pollished idm of to rococo rot's hotel morgen, getting funky with morton steven's very compelling tv score to hawaii five-o (best tv theme song ever!), and finally finally finally finally getting through all those babylon 5 scores* (it took 7 weeks, but i did it), as well as enjoying a host of other really great music.

also mixed in this week were a couple of james bond scores (john barry's diamonds are forever and david arnold's die another day. both excellent) and william shatner's has been. now don't laugh at this, but that shatner album is some powerful stuff. he's got a very engaging spoken-word delivery as well as some respectable collaborators. the result is 11 songs that pack more heartfelt sentiment than all the songs on top 40 radio in the past 10 years combined. i mean that.

it was also apparently "records that time forgot week" here at tunequest. i only covered 7 albums in that short-lived series, and 3 of them managed to pop up this week: can's ege bamyasi, louis and bebe barron's score to forbidden planet and martin denny's space-exotica extravaganza exotic moog. as soon as i track down that file, i'll post it.

see this week's complete list of albums in the extended entry.

*technically, i have one album left, a compilation called 'the best of babylon 5.' it's currently not eligible for play because the tunequest-ipod is into the I's and it's not smart enough to ignore the "the" at the beginning of album names. artists yes, albums no.

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