Mouse on Mars: I Go Ego Why Go We Go

From the album Varcharz (2006)

After creating some most infectious and “warm” electronic grooves that were both danceable and singable, Mouse on Mars returned with an album of “spatial free-jazz and cocaine-fried booty funk” on the largely structureless Varcharz. But don’t take structureless to mean groundless. Beats are what MoM do best, and while the album has its share of dissonance, it’s a noise symphony built on a solid foundation.

Take, for example, the assonantly named I Go Ego Why Go We Go. With its calculated repetition and precise layering, the song sounds like it could have been composed by some sort of JamDroid, its disruptive rhythms compelling all the other robots to abandon the assembly line and get on down.

What I Love: It’s Mouse on Mars; the beats are cold and unfriendly, but that won’t stop me from bobbing my head.

I Go Ego Why Go We Go at itunes I Go Ego Why Go We Go at amazon I Go Ego Why Go We Go

Free Download.

Presidents of the USA rarity: Ça Plane Pour Moi

ça plane pour moi cover

A long time ago, while expanding my cultural horizons and getting to know a distant branch of my family, I spent a good portion of the summer in the nation of France. It had the works: sight-seeing, landmarks, historical places, family gatherings, camping, Eurorail, and of course shopping and souvenirs. An excellent summer well spent. And it was made more excellent by a handful of hard-to-find musical acquisitions I made while perusing various stores and malls.

One such find, I believe I picked up at the Virgin megastore on the Champs-Élysée or maybe FNAC, was a CD single by The Presidents of the United States of America, that quirky alt-rock-punk-pop band who emerged from the collapse of Seattle’s grunge scene. PUSA was near the peak of its success that summer and the band was a favorite of mine for a time.

Thus I was quite intrigued when I discovered this cardboard sleeve CD single while browsing the stacks. In French, the title read Ça Plane Pour Moi and the artist, to my surprise, was The Presidents. The song was certainly not a single release from the band’s debut album, with which I was already familiar. It was a baffling mystery, but as a third year student of the French language, I was quite attracted to this French language song.

Plus, I’ve always had a fascination with CD singles. There’s something about the combination of low price and rare songs that I, as a collector, can’t resist.

So, putting it all together:

  1. Francophilia
  2. Rare music
  3. CD single
  4. A then-favorite band
  5. Being able to forever say “I bought this in France”

You bet it was a no brainer. I snapped it up faster than you can say Tout de Suite.

Ça Plane Pour Moi roughly means “This life for me.” There’s no direct translation of the phrase but it is an expression of detached contentment with one’s existence, possibly with ironic undertones. The particular recording is a cover of the 1977 hit by Plastic Bertrand, though The Presidents perform it in more of a happy-go-lucky surf punk style. The lyrics are chock-full of French slang that don’t make any literal sense, but if you have to delve into it, try this analysis.

[audio:070514CaPlanePourMoi.mp3]

For a long time, this song was a rarity, so rare that the disc doesn’t appear on either AllMusic’s PUSA discography or Discogs.com’s listing. Amazon has it for $20+, but fortunately for you guys, iTunes offers it for just 99¢.

8 Ways to Improve the iPod (and could be done with a firmware update)

The iPod is supposed to be “iTunes to go” but as the little music player has advanced over the years, it still lags behind in some relatively basic features, features that have been a part of the desktop program for some time. iTunes’ capabilities seem to be constantly improved and refined; its portable counterpart’s behavior has remained relative unchanged, even as it has gained photo and video support.

Forget touchscreens and Bluetooth, FLAC and DivX; here, I present a list of the iPod’s more troublesome foibles, all of which could be overcome with a firmware update, making it an even better music player.

Toggle display of the Composer tag

This is something I’ve wanted since Apple added the Composer field to iTunes five years ago: A display of the composer when listening to classical music. The 5G iPods have more than enough screen real estate to accommodate an extra line of text. It makes no sense that after all this time and after adding a way to browse and select by composer, Apple still doesn’t allow a way to view it while playing. Classical music aficionados have to either do without or devise elaborate tagging systems to see who the composer of a piece is.

Of course, not everyone has need for composer display. There certainly are people who don’t appreciate Prokofiev. Also, the field is often populated with junk from Gracenote/CBBD. A simple toggle in the iPod settings would fix that. Those of us who want to see the composer can turn it on and those who don’t can leave it off.

no composer visible
At a glance, there’s no telling who the composer is. One hack, though, would be to embed the composer name in the album artwork.

Support for the Album Artist field

iTunes 7 introduced a new data field to the song info dialogue box: Album Artist. Apple says it’s for assigning a primary artist to an album with multiple artists. It signifies a way to separate the artists producing the work from the artists performing it.

It’s a great idea for classical works that have a featured soloist in addition to the orchestra or when one artist is a featured guest on someone else’s song, eg, William Shatner featuring Henry Rollins. In this case, William Shatner is the primary artist and would be to sole “Album Artist” while “William Shatner featuring Henry Rollins” are the performing artists.

The tag works well in iTunes, keeping song listing nicely and tidily organized. The iPod, however, still separates “William Shatner” from “William Shatner featuring Henry Rollins,” leading to a cluttered interface that is difficult to use. Most of my music listening is done via iPod, so Album Artist remains under-utilized.

Album Artist would be a very useful tag. It would even solve my dilemma for tagging remix/dj albums. But without iPod support, the tag is DOA.

two shatners
Despite having the same Album Artist, these listings are still displayed by regular Artist.

Full Support for Sort fields. (accomplished)

UPDATE 3/19/08: Firmware version 1.3 for the Fifth Generation iPod adds support adds support for Sort Album and Sort Composer.

Other options recently introduced into iTunes but not into the iPod are customizable Sort Fields, which let you control how iTunes alphabetizes your artist and album listings.

By default, the iPod is smart enough to ignore “A,” “An” and “The” at the beginning of artist names. The Chemical Brothers are sorted with the C’s, for example. Starting with iTunes 7.1, you can customize the Sort name for Artists, Albums, Songs, Album Artists, Composers and TV Shows.

If you want Fiona Apple to appear with the A’s rather than the F’s, just set the Sort Artist to “Apple, Fiona” and you’ll soon see Fiona next to Aphex Twin.

It’s pretty cool, but…… on the iPod, it only works with Artists. You can customize all the albums and composers in your library and Gustav Mahler will still be chillin’ with the G’s and The Colour and The Shape will still be sorted with the T’s.

the thes
The “thes” like to hang out together in album view.

Browsable playlists

Music libraries get larger every day it seems. And the iPod’s hard drive does its best to keep up. At 80 GB, the device can hold a month or so of continuous music. For myself and others with large libraries, it’s effortless to create Smart Playlists that contain hundreds or thousands of songs based on specific criteria. Navigating those playlists can be nearly impossible as they show naught but a long list of song titles.

In my library, creating a Smart Playlist of Ambient music from between 1990 to 2000 returns 305 songs from 44 albums by 11 artists. Viewing the playlist on my iPod is a jumble of songs. I would love the option to sort and browse the artists and albums in a playlist.

Perhaps, when you select a playlist, the iPod displays an entry at the top of the song list: “Browse this playlist.”

Full-screen album art

When in full screen mode, I want the iPod to display album art as large as it can, no margins, no scaling. Just like when browsing photos, I want the image to take up the entire screen. This, the iPod can already sort of do…… if you plug it into an iPod HiFi, Apple’s own speaker system. I would like it to be standard. For more, read this recent rant.

Bonus Wishlist

I’m not annoyed by these missing features, but if they were real, I’d find them useful:

iPod Party Shuffle

A more limited version of iTunes’ Party Shuffle. When you’re shuffling, this would let you see a handful of upcoming songs. You could skip ones you don’t want to hear.

Profiles/Pre-sets

My listening preferences are different depending on whether I’m at work, in the car, at the gym, or moseying around the house. At the gym, I like to shuffle by song while at work I like to shuffle by album. When listening to ear buds, I like to use the bass booster EQ, but the bass response in my car is a little heavy, so I like to turn on the bass reducer.

It would be convenient to save different settings configurations for easy switching.

Grouping behavior that makes sense

“Grouping” is the red-headed stepchild of ID3 fields. No one *really* knows what it’s for or how to use it. Ostensibly, it’s for creating “groups” or subsets of related songs within an album. But it wasn’t until iTunes 7 that you could do anything with it (you can shuffle by Grouping).

It seems to me that an effective behavior for songs with the same Grouping to be “always keep these songs together.” For example, Mouse on Mars’ Varcharz has one song, One Day Not Today, that is broken into 12 tracks. Give all 12 tracks the same Grouping, “One Day Not Today” and the iPod would know to start at the first track and play through all of them sequentially, even when shuffling.

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Hopefully, one day, these wishes will come true. I still love my iPod, but I’m looking for reasons to love it more.

Magnetosphere: Awesome iTunes Visualizer

One of the lesser-used features of iTunes is its visualizer, the colorful animated display that accompanies any music that’s playing. The visuals are a fun little distraction, but once the novelty wears off, the usefulness of the function tends to be limited. Though, in college, a PowerBook and an LCD projector made for a pretty rockin portable party system.

g-force shot
Ol’ trusty G-Force

iTunes, from version 1.0, has shipped with a default visualizer: G-Force, which was originally a plugin for SoundJam (the app that iTunes was initially derived from). It was groundbreaking at the time of its release and it still has some appeal, but at seven years old with no major updates, the plugin shows its age.

Enter Magnetosphere, a brand-new visualizer that was recently released as a beta. It’s not the first third-party visualizer, but it is the best one I’ve seen yet.

Magnetosphere features excellent music response, smooth animation (even on my aging G4 PowerBook), a variety of visual themes, and best of all, lots of pretty colors. One could stare at it for hours (assuming they have nothing productive to be doing with their time) and I’m even tempted to throw a party just to show it off.

This thing is awesome, but don’t take my word for it. Here’s a video I made of it in action:

Magnetosphere, iTunes plugin, in action

The best part starts around 1:50, but really, just watch the whole thing. And if at all you’re curious, the song is Nostrand, the sleeper hit from Ratatat’s Classics.

Download Magnetosphere from Barbarian Software. Mac OS X and Windows versions available. Requires iTunes of course.

Update 5 Sept 08: There’s a rumor going around that the Magnetosphere visualizer will be included with the also-rumored iTunes 8, which itself is rumored to be released mid-September 2008.

Update 9 Sept 08: Yep, looks like the rumor mill had it right. Magenetosphere is now a part of iTunes by default, as of version 8, which is available for download from Apple.

Yeah, What They Said 5/06

Seis de Mayo edition. Yeah, What They Said, pointers to interesting stories. Some people call it “link sharing.”

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Debunking the Myths of Peer to Peer in Regards to CD sales
From the horse’s mouth, the effect of file-sharing, peer to peer, downloading, and copying on a small indie label unaffiliated with any of the majors.

Kurt Cobain: the man, not the myth
Very nice write up of Kurt Cobain: About a Son, a new documentary about Cobain the person. “He was a caring person, he was a punk, he was a rock star, he was a charismatic asshole, he was a friend, a son, a husband and a father. Sadly, Cobain’s human traits got lost in the limelight.”

The New Music Industry
A prescription for music industry survival in this digital era? Four concepts every band should understand: People will share your music with one another; Music is not a product anymore, it is Content; Be the provider of your own content; Content is no longer limited by the product itself.

That last one is probably the most interesting.

The Sound of Young America: This is Your Brain on Music
Podcast interview with Daniel Levitin, a cognitive psychologist at McGill University in Montreal and author of This Is Your Brain On Music: The Science of Human Obsession. Fascinating stuff.

Why we’re so good at recognizing music
International Herald Tribune article about the same Daniel Levitin. He spent years working in the music industry before deciding to study the science behind it.

Link-back
On Classical Music Tagging (ID3 tags) for iTunes and iPod
This is one of my own. I wrote it nearly a year ago and in light of recent my remix album tagging tips, I thought I’d offer it again.

Also from tunequest, click this link to read a random post from the past. There’s no telling what you’ll get.

And here, because I’m listening to it while writing this, Sonic Youth: The Diamond Sea. Float away with it.

John Powell – The Bourne Identity

Released in 2002, John Powell’s music for The Bourne Identity is a smooth contemporary action score that is an exception to the typical generic compositions that accompany such films. It draws upon the standard spy-thriller ethos and echos the work of David Arnold for the James Bond franchise, particularly with its use of lush strings, blending of electronic percussion and sprinkling of jazz and rock elements.

Which is to say I like it a lot. I just saw the film for the first time a week ago good stuff, but I’ve been enjoying this score for years now.

It features pensive action cues that roar to life when needed, but avoids becoming the bombastic cliches that are prevalent in many modern action movies. At the heart of the score, however, are the somber, contemplative, even forlorn moods of a man searching for himself and his place in the world.

With those ideas juxtaposed, the album works on pretty much every level.

Highlighting the score is Treadstone Assassins, a cue used to accent the resolve of CIA’s experimental squad of hit men. It feels more like a dirty rock groove than an orchestral underscore but it doesn’t deviate from the heart of the album. Powered by a gritty determination, this track thumps out an engaging, focused rhythm that screams “let’s do this.”

Do yourself a favor and grab this album.

Treadstone Assassins:
[audio:070504TreadstoneAssassins.mp3]

Tagging Remix and DJ Albums for iTunes and iPod

Remix albums and DJ albums have always proved a challenge to tag in a useful and logical manner because of how they differ from the traditional song-artist-album tagging model. Like compilations, remix albums typically include songs by a variety of artists and musicians. But they are released under the banner of a single artist and it is that artist that I associate that album with. For example, the album Brazilification has tracks by 18 different artists, all remixed by Fila Brazilia. Most, if not all the songs had been published before on each of the remixed artist’s own records or singles, but Brazilification collects them all and releases them under Fila Brazilia.

Oh what to do, what to do? The standard tagging fields don’t offer a clean way to deal with remix albums, so I’ve had to cobble together my own solutions. The methods I use have to be simple and straightforward to use on an iPod, whose navigation options is more limited than iTunes, but it also has to include all the pertinent information, song name including remix title, remixer, original artist and the album (plus genre and year).

Below are the two approaches I’ve developed. Neither one has really worked to my 100% satisfaction, though.

Method One: Remixer as Artist

This scheme is the more predominate one in my library. I’ve been using it for a long time, but have never been that happy with it. In a sense, the remixer is treated as though they have created a cover version of the original.

Artist Tag

Iin my mind, I associate the remixer/dj as the primary artist. It does have their name on the album cover after all. Thus, using the example above, Fila Brazillia is listed in the Artist field.

Album tag

The album tag, of course, is the album name.

Song Title

There’s no easy way to account for, identify and display the originating artist when the remixer is using the Artist field, so they are added to the beginning of the song name using this syntax:

Radiohead: Climbing Up the Walls

This way, I can easily navigate to the album on my iPod, glance at the track listings and see both the original artist and the song title.

Composer Tag

To make locating remixes in general easier, using my Composer tag guidelines, I identify the original artist again in the Composer tag, but surrounded by parentheses to separate them from actual composers.

Problems

This approach doesn’t work semantically. It puts inappropriate data in inappropriate fields in order to make the system function. To continue with the example above, song is technically titled Climbing Up The Walls (Fila Brazillia Mix) and the actual artist is Radiohead. If I had a copy of Radiohead’s Karma Police single, where the remix originally appeared, Radiohead would, quite properly, receive the artist tag.

Also, The scheme doesn’t play nice when my iTunes library interfaces with third-party applications. The song above is submitted to Last.fm as Fila Brazillia – Radiohead: Climbing Up the Wall, which acheives a disservice for both artists. On the site, it pollutes Fila Brazillia’s database of songs and at the same time, doesn’t provide proper credit to Radiohead.

Because the Artist tag has been misappropriated, this contorted design can interfere with statistics. And anyone who’s spent time around here knows that when it comes to my iTunes library I’m a statistics nut.


Brazilification using this first method. click to enlarge.

Additionally, I find it redundant to enter the original artist in two different places. I’ve been relatively unhappy with the scheme, so I recently began to explore other options.

Method Two: Remixer as “Composer”

One idea I’ve been toying with is swapping the Artist and Composer tags in the above scheme. Thus:

Artist Tag

The original artist name. (Ex. Radiohead). Gives appropriate credit source artists and allows them to be included in Smart Playlists that factor artists.

Compilation tag

Under this configuration, there would be multiple artists on the album, so the Compliation check box must be checked.

Album Tag

Takes the form of Remixer/DJ: Album Name (ex: Fila Brazillia: Brazilification). For easy identification when browsing. However, it does present another semantic problem in that it offers more information the album’s actual name. So the remixer could be left out. I’ll have to see how it works in practice.

Song Name

Song name (remix) (ex: Climbing Up the Walls (Fila Brazillia Mix). It’s only appropriate to give each song its appropriate name.

Composer

The remixer, again surrounded by paranthasese to keep it separated and sorted from actual composers.

Instinctively, I like this design. I’ve not really had a chance to implement it on a large scale, but it holds potential to address the concerns I have with my current scheme.

Yes, it still has some redundancy, with the remixer listed both in the song name, album title and composer tag. However, with direct compilation support on newer model iPods, the use of the remixer in the album or composer tag could be omitted.

Using the Album Artist tag to identify the remixer/dj would actually solve all the problems with this plan. But the iPod’s current lack of support for the field leaves me having to use these workarounds. Let’s hope that Apple adds that increased functionality soon.

In any case, this new tagging format promises to make it rather easy to locate and identify all the songs, artists and remixers in both iTunes and the iPod. It also will work with Last.fm submissions and sorts everything nicely for my all-important statistics.


Brazilification using this second method. click to enlarge