tunequest

In my last post, I detailed the ten albums that earned the highest ratings from me during 2007. But while I did find them each to be fantastic recordings, ratings don't necessarily reflect popularity. That is to say that the most highly rated albums might not have been the most often played. Indeed that's not the case. I took data from the past year and ran it through my Impact ...

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Released in 2002, John Powell's music for The Bourne Identity is a smooth contemporary action score that is an exception to the typical generic compositions that accompany such films. It draws upon the standard spy-thriller ethos and echos the work of David Arnold for the James Bond franchise, particularly with its use of lush strings, blending of electronic percussion and sprinkling of jazz and rock elements. Which is to ...

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When I began the original tunequest in February of last year, I had ~6000 songs in my iTunes library that had a play count of zero. Part of that list consisted of old CDs that just hadn't been played since they were digitized. A good number of them were the result of over-zealous music collection and exploration. That was one of the reasons I decided to undertake the endeavor ...

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Early tunequest page So I was in the middle of putting together a little write up about a couple pieces of Star Trek music, when two notable events occurred here at tunequest. In progress news, I crossed the sub-1000 songs remaining threshold yesterday while listening to Joe Hisaishi's score to Spirited Away. Hisaishi has composed music for nearly all of master Japanese director Hayao Miyazaki's animated masterpieces. The beauty and ...

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Webomatica posts about his best and worst James Bond songs. It's a nice list; I threw my picks into the comments, though I left out the iconic James Bond Theme. god bless John Barry for that. We disagree about Man With The Golden Gun, but to each his own. But, really, I'd like to call some attention to another Bond-related project. Shortly before composer David Arnold took over the ...

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In retrospect, I probably should have saved Lalo Schifrin's Mission: Anthology for the last album on the tunequest. It would seem fitting that my last song played should be the last song on this album: Mission Accomplished. Alas, it is not to be; I finished listening to that album just moments ago. However, there are other suitable songs for that distinction. At the moment, it's reserved for The Smashing Pumpkins' ...

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michael kamen's score to licence to kill is very reminiscent of his score for die hard. it has a very 80s sound to it, with the familiar james bond motifs grafted onto it. it makes sense; the two films are only a year apart. the results aren't too bad, though i didn't particularly care for his die hard music, or kamen's style in general. however, he does ok in the ...

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tunequest in review: for the week ending may 27, 2006. stats: 226 songs played over 16 hours. a further 11 were removed and 1 was added, for a net progress of 236 songs, which is a nearly 50% decline from last week's performance. well, it figures that this week's would be lackluster compared to last; i'm nothing if not inconsistent. it's not surprising though. i knew there would be a drop ...

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for the week ending may 20, 2006. stats: a superlative week here at tunequest. 394 songs played over 25 hours and 40 minutes. a further 5 songs were removed from the library for a net progress of 399, a new record. frankly, i'm surprised by the results. an afternoon braves game and a couple of extented meetings cut into my normal office listening time and i didn't ...

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